Advice on Writing Well
As I try to learn how to write better, I’ve been collecting advice on the subject. Here are a few quotes.
“Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short word will do. If it is possible to cut a word out, always cut it out. Never use the passive where you can use the active.”
Never use a long word when you can find a short one…. Pick up every sentence in turn, asking ourselves if we can possibly make it shorter.
- Always try to use the language so as to make quite clear what you mean and make sure your sentence couldn’t mean anything else.
- Always prefer the plain direct word to the long, vague one. Don’t implement promises, but keep them.
- Never use abstract nouns when concrete ones will do. If you mean “More people died” don’t say “Mortality rose.”
- In writing. Don’t use adjectives which merely tell us how you want us to feel about the things you are describing. I mean, instead of telling us the thing is “terrible,” describe it so that we’ll be terrified. Don’t say it was “delightful”; make us say “delightful” when we’ve read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers “Please, will you do my job for me.”
- Don’t use words too big for the subject. Don’t say “infinitely” when you mean “very”; otherwise you’ll have no word left when you want to talk about something really infinite.
The way for a person to develop a style is (a) to know exactly what he wants to say, and (b) to be sure he is saying exactly that.
The reader, we must remember, does not start by knowing what we mean. If our words are ambiguous, our meaning will escape him.
I sometimes think that writing is like driving sheep down a road. If there is any gate open to the left or the right the reader will most certainly go into it.
Avoid stock expressions (like the plague, as William Safire used to say) and repetitions.
Don’t say that as a boy your grandmother used to read to you, unless at that stage of her life she really was a boy, in which case you have probably thrown away a better intro.
If something is worth hearing or listening to, it’s very probably worth reading. So, this above all: Find your own voice.
The most satisfying compliment a reader can pay is to tell me that he or she feels personally addressed. Think of your own favorite authors and see if that isn’t precisely one of the things that engage you, often at first without your noticing it.